![]() ![]() A song later, they urged the audience to help with the wordless vocals on “How Loud Your Heart Gets,” another of the band’s soaring ballads, also from “Wildewoman.”Īfter close to 90 minutes, the band ended their main set before returning for an encore. Wolfe and Laessig sounded like they meant it as their voices rang out on the soulful climax of the tune. Wolfe introduced “Dusty Trails,” from 2016’s “Good Grief,” by talking about how the meaning of the lyrics has changed over the years: where once the song was about missing home, now it’s about getting back on the road after being cooped up at home. Lucius dipped into their back catalog, too, with a tight version of “Tempest” from their 2013 LP “Wildewoman,” which featured Laessig and Wolfe supplementing the rhythm on floor toms positioned in both corners at the front of the stage. ![]() The band brought onstage three people from the audience, the consensus choices for most sparkly, to dance their way through the song, which surged through the Hunter Center on a pumping bassline and rock-solid beat like some kind of massive disco wave. ![]() “Dance Around It,” by contrast, was a pedal-down banger all the way through. (The rest of the band consists of Dan Molad on drums, Peter Lalish on guitar and keys, Solomon Dorsey on bass and Alex Pfender on guitar and keys.) “The Man I’ll Never Find” featured both, starting mournful and quiet with tightly interlaced harmony vocals, and expanding into a widescreen soundscape as Laessig and Wolfe wrung every ounce of feeling out of the heartbreaking lyrics. Backed by various combinations of drums, bass, keyboards and guitar, Laessig and Wolfe showed the range and strength of their voices: they can blow out the back wall as easily as they can sound like they’re murmuring in your ear. Current Exhibitions Joseph Grigely: In What Way Wham (White Noise and Other Works, 1996-2023) to see oneself at a distance Carrie Schneider Sphinx Daniel. Our full COVID FAQ is here.“Second Nature,” the band’s first full-length album since 2016, is made for the dance floor, and Lucius got bodies moving from the very start with the title track, a disco-laced jam that builds in power as it progresses. ![]() By purchasing a ticket to join MASS MoCA’s visitors, staff, and artists on the museum campus, you agree to follow a Courtesy Code, detailed here.Please note, museum admission is not included with your event ticket unless indicated.For ADA accommodations, please contact the Box Office at (413) 662-2111 x8121 or email. This performance is standing-room-only.Food and drinks are available for purchase during the show. No outside food or beverages will be allowed in the venue during the event.Preferred ticket holders have access to a gated standing room section close to the stage and receive museum admission on the day of or day after the show.Please note: the show features strobe light effects.Masing is required during this event, except while eating or drinking.The show is indoors in MASS MoCA’s Hunter Center, it is general admission, standing room only with the Preferred ticket area located at the front of the venue.The delicate, dazed indie-pop of Cafuné warms things up. Now on tour for 2021’s Screen Violence, Chvrches has sharpened the edges and hooks of their songs and solidified their place as synth-pop standard-bearers. Their debut 2013 album bridged the gap between classic synth-pop and the brash, EDM-influenced sounds of the early 2010s, “usher in a new era of dance-pop with an indie soul” ( Pitchfork). Crafting songs with big synths and bigger melodies, the Scottish electro-pop trio Chvrches combines indie roots with a love of chart-friendly pop. ![]()
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